Well, after a couple weeks with the MPC1000 I had to return it. My unit had a problem with the pads where most of them would periodically double trigger. This made recording with the MPC incredibly frustrating. Also, one of the rubber feet on the bottom was a different height than the others which made the MPC wobble even on perfectly flat surfaces. I fixed this with a bit of tape folded under the one foot but I was not impressed with having to do this on a new device.
I probably only used the MPC1000 half a dozen times, but I do think I got a good feel for the workflow of the device using JJOS 2. And while I did enjoy the workflow I can’t say that it was worth having considering that I already have Ableton Live. I never had any illusions that the MPC would offer more than Live, I was more drawn to the simplicity and limits of the hardware compared to my limitless computer. Self imposed limits on the music technology I use can really breathe life into my creativity in a world overflowing with options.
It was a good experiment trying the MPC but in the end I am happier using the combination of my Arduinome, TriggerFinger, Oxygen49 and Live to sample and sequence my software and hardware instruments. I spent some time recently and created a few Ableton templates that let me do almost everything I need to without ever touching a mouse.
So with my return complete I decided to double my analog power and picked up a Doepfer Dark Energy. Don’t let its diminutive size fool you, this little semi-modular analog mono synth is a sonic beast of highest degree.
Though it is only a single oscillator synth there is more going on here than that implies. You can actually combine a pulse wave (with full PWM of course) with either a saw, a triangle or just have the pulse on its own. There are two LFOs that are hardwire routed for frequency modulation, logarithmic filter frequency modulation, linear filter frequency modulation, pulse width modulation and amplitude modulation. Additionally an inverted LFO1 is available as an output on the front panel and can be routed to VCO F, VCO PW, VCF F and VCA A.
This is a semi modular analog so there are CV inputs and outputs on the back and in addition to the ins and outs mentioned above there are is also external audio in, gate in, envelope out, and of course main audio out.
I’ve got to say that after several weeks of playing with the Dark Energy I am only beginning to scratch the surface of its sonic potential. I am particularly loving running it through my Moog MF-104Z Analog Delay. They also looks damn smart sitting next to each other with their tank-like black metal and wood panel builds.
In addition to the CV control the Dark Energy has MIDI and USB connectivity both of which work without a hitch when connected to Ableton Live. You can actually use it between your computer and your old pre-MIDI analog gear as a MIDI to CV converter. Of course this synth doesn’t have an patch memory but I did find a great Flash based patch saving tool here.
I’m finding the timbre of this little synth to be a perfect compliment to my Mopho Keyboard and Zebra soft synth. The 24dB low pass filter has a great sound and the resonance goes all the way into self oscillation. In fact, if you turn off the triangle, saw and pulse you can just use the self-oscillation as a sine wave oscillator.
I think the Dark Energy is a great introduction to the world of modular synthesis. I’m betting Doepfer will be finding a lot of people wanting to expand their Dark Energy with further modules, and there are a lot out there. Looks like the Dark Energy could be the start of a black hole that pulls you inexorably into the expanding void of modular synthesis. So be it.
















